Home » Gustave Courbet by Laurence Des Cars
Gustave Courbet Laurence Des Cars

Gustave Courbet

Laurence Des Cars

Published
ISBN : 9783775721097
Hardcover
477 pages
Enter the sum

 About the Book 

Nowadays it is difficult to conceive of the impact that Gustave Courbets paintings made on French art of the mid-nineteenth century. At once casting himself as revolutionary, bohemian and peasant, Courbet (1819-1877) overturned a deeply-entrenchedMoreNowadays it is difficult to conceive of the impact that Gustave Courbets paintings made on French art of the mid-nineteenth century. At once casting himself as revolutionary, bohemian and peasant, Courbet (1819-1877) overturned a deeply-entrenched tradition of academic painting in France, and, eschewing the Romanticism of Delacroix and the NeoClassicism of Ingres, coined instead an idiom he named Realism. Realism was not pretty, classically proportioned or literary- rather, it confronted the conditions of rural working life, then an unimaginable subject for art. The first masterpiece of this new style was Burial at Ornans (1849-1850), a colossal anti-epic that depicted an ordinary funeral in Courbets home town. The contrast between the works scale and its subject matter was pronounced, and its murky earth tones struck critics as willfully ugly--a defining reaction that would recur throughout the Modern period, particularly in the reception of early works by Manet and Picasso. Courbets palette emphasized mass and body politically--that is, in a manner that affirmed the world itself rather than the transcendence of it. His equally famous The Origin of the World of 1866, which presented the female genitalia close-up, made this stance explicit. The conceptual beginnings of the painting of Modern life are as much in Courbets Realism as in Charles Baudelaires famous essay of the same name.In this new assessment, published on the occasion of a major 2008 traveling exhibition, renowned experts shed light on the development of Courbets realistic, critical style and trace his influence on his contemporaries and subsequent generations, as well as his relationship to early photography. At 480 pages, this monumental volume provides a long-overdue reckoning of this great artists work.